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American Artist Studios 2009

Availability: In Stock


Price: $8.99
Quantity
Magazine Single Issue
Item #: AS0900



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Description
50 Products Guaranteed to Improve Safety & Storage in Your Studio; 6 Historic Studios You Can Visit; Big Solutions for Small Spaces; Clever Ideas for Adapting a Bedroom, Garage, or Unused Space
Table of Contents

Studio Vignettes by M. Stephen Doherty
Step inside these private studios, and see how the artists organize and furnish their creative work environments

Russell and Cynthia Gordon: Sharing Space With a Spouse, Family, and Pets

Stacey Peterson: Setting the Right Mood

Will Wilson: Enough Space for Work, Storage, and Relaxation

Woodstock: Historic Studios in an Artists’ Community

Dianne B. and A. Van H. Bernhard: Dream Studios, Practical Function

Robert Gamblin and Catherine Kumlin
Shared Industrial Space

Sheila Delimont: Combining a Studio and a Gallery

Margaret E. Millard: Stretching the Budget for Furniture

Jeff Allen: Building Your Own Dream Space

Dava Dahlgran: Making Room for Drawing and Teaching

Veronica Winters: Storing Reference Material in a Small Studio

Richard Oversmith: Painting Walls to Match Paul Cézanne’s Studio

Lydia Piper: Moving a Studio From Room to Room

Susan Blackwood and Howard Friedland
Easy on the Knees, Warm on the Feet, Ideal for Creating Paintings

Domestic Conversions by John A. Parks
The perfect studio may already be available in your home

Daniel Pinkham: A Major Conversion

Dennis Doheny: A Simple Garage Makeover

Kathy Caudill: Using a “Bonus” Room

Gail Descouers: Insulating a Garage

Amy Mann: Using Living Space

6 Historic Studios You Can Visit by Stephen May
Dozens of artists’ studios have been preserved, so you can study the working methods, local inspirations, and personal habits of artists such as Grant Wood, Georgia O’Keeffe, Thomas Hart Benton, Frederic Remington, Charles Demuth, and J. Alden Weir.

Keeping You and Your Studio Safe by Molly Siple
A variety of safety equipment can help artists reduce the risks present when working with hazardous materials

Getting the Right Light in Your Studio by Bob Bahr
Most artists agree that diffused natural light is the best light in which to paint, but sometimes artificial light is unavoidable. Here's what you should consider when designing the lighting in your studio

A Studio Worthy of Rockwell by Austin R. Williams
When building his studio, Christopher Pierce looked nearby for inspiration from an American master

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