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Drawing, Summer 2009

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Price: $9.99
Quantity
Magazine Single Issue
Item #: DR0906



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Description
Master 9 Values and Make a Difference in Your Drawings; How to Draw Hair; See a Modern Take on Leonardo’s Grotesque Heads; Learn Human Anatomy for Artists; George Tooker
Table of Contents
Features

    The Structure and Surface Forms of the Hand by Valerie L. Winslow
    The staff at Drawing were impressed by Valerie L. Winslow's comprehensive and technical new book, Classic Human Anatomy: The Artist’s Guide to Form, Function, and Movement. We asked her if we could excerpt the chapter on hands, and she graciously agreed.

    The Ancient Art of Nakha Chitra by Austin R. Williams
    Using no tools other than his fingernails, Suhas Tavkar practices the rare and ancient art of nail drawing—embossing detailed bas-reliefs in paper.

    Drawing Fundamentals: Value Basics by Jon deMartin
    By learning a few of the universal truths about value and planes, you can model any natural form much more easily.

    Visionary Constructions by John A. Parks
    Using tracing paper and simple linear drawings, revered artist George Tooker plotted out his iconic compositions.

    Tension and Abstraction in Realism by Lisa Dinhofer
    Catherine Murphy’s provocative and tense graphite drawings defy category, leaving the viewer wondering if she is tightly rendering abstraction or abstracting realism.

    The Fascinating Roots of Indian Drawing by John A. Parks
    A gift to The Metropolitan Museum of Art, in New York City, reveals the rich pleasures of a bygone and distant world.

    Understanding Anatomy: Hair by David Jon Kassan
    Hair seems to be a challenge for both beginners and some experienced artists. A quick anatomy overview can help you understand hair on a micro level and give you strategies on how to recreate it realistically in a drawing.

    Making Careful Drawings in Conté and Pastel by Allison Malafronte
    Susan Lyon's pieces in Conté, charcoal, and pastel pencil are as painterly, emotive, and skillful as her finished oils, reinforcing the notion that drawing as the foundation for other media is just the beginning of the story.

    Fleshing Out Leonardo's Grotesque Heads by Bob Bahr
    Georgia artist Jesse Payne is using Leonardo da Vinci's odd sketches of unusual faces as a jumping-off point for painstakingly rendered and imagined graphite drawings.

    Effective Use of Color by Kenneth J. Procter
    Whether simple or complex, humorous, symbolic, or mysterious, color plays an essential role in many master drawings.

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